Count Waldstein, a German nobleman and patron of arts, in March of 1791 during Bonn\u2019s Carnival season, organized an event for which he needed a ballet play. The Count was the most influential early supporter<\/a> of young Beethoven. He was a lover of music and arts, an amateur pianist and composer.<\/p>\n
The orchestral part lasts for about 11 minutes and has 8 sections.<\/p>\n
This music is not among the finest from Beethoven, but on pair with the rest from his Bonn period<\/a>. It has strong characteristics from the German folk music and country dances.<\/p>\n
It was Franz Wegeler<\/a>, Beethoven’s friend who revealed the secret of the ghost writing, saying “This composition was long thought to have been the work of Count Waldstein, as Beethoven did not name himself as the composer, and even more so as the former organized the ballet together with the dance master Habich from Aachen.” <\/em><\/p>\n
Until 1960 the Beethoven-haus<\/a> had owned the piano reduction autograph score, but unfortunately it was destroyed by a fire. Today, the Ritterballet is listed as WoO 1. (WoO, as opus without number).<\/p>\n
Count Waldstein, a German nobleman and patron of arts, in March of 1791 during Bonn\u2019s Carnival season, organized an event for which he needed a ballet play. The Count was the most influential early supporter of young Beethoven. He was a lover of music and arts, an amateur pianist and composer. His initial idea was to commission a ballet music, … <\/p>\n
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